FAQ
Questions
No. Each book is a complete story about one person and can be read first. Published order is Prequel → Remember Me → The Centurion → Barabbas → The Councillors → The Women at the Tomb → The Gathering, and that order does something deliberate — the argument gets harder as it goes, and the last book only lands properly if you’ve met the others. But you can start anywhere. Plenty of readers start with whichever witness they already have a question about.
Both, and the site tells you which is which on every page. The events of the Passion follow the Gospels exactly. The people at the edges are imagined into the silences the Gospels leave — because the Gospels leave enormous ones. Scripture gives the penitent thief no name, no history and no mother. It gives Barabbas no family and no ending. Those gaps are where the novels live. Every person, place and moment carries a mark: in Scripture · named by tradition · original to the series. Turn on Show sources anywhere on this site and they appear inline, with the references. The complete ledger is published in full.
He’s the still centre of all six books and the protagonist of none. Every book watches him from the outside — through a thief’s fading sight, a soldier’s spear, a councillor’s careful distance. He speaks little and is described less, because the point of view never sits with him. That’s deliberate: putting invented thoughts in his head would break the rule the whole series is built on. The invention is only ever in the watchers.
Neither, and it isn’t arguing for either. The books stay on the ground all Christians share: the four Gospels, Acts, and the events of the Passion. Two names in the series — Dismas for the penitent thief and Longinus for the soldier — come from old tradition rather than the Bible, and are marked every time they appear, precisely so nobody mistakes them for Scripture. Readers from very different churches, and readers from none, have found nothing here they had to swallow.
Broadly yes, from about fourteen, with one thing worth knowing first. These are books about a Roman execution, and they don’t make it pretty — the crucifixion chapters are unflinching about the physical reality, because softening it would let the reader off in a way the story can’t afford. There’s violence in the world around it too: an occupation, a failed rising, men who kill for a cause. There is no sexual content and no bad language. For a younger reader or a school group, The Open Door (the prequel) and The Gathering (Book VI) are the gentlest. Remember Me and Barabbas are the hardest going.
Yes, freely, with no permission needed — in a service, a small group, a class or a podcast. If you’d like to reproduce more than a page in print or in a study booklet, write and ask; the answer is nearly always yes and it’s usually same-week.
Yes, for study groups, Lent courses and giveaways, with the discount rising by quantity.
That’s the plan, starting with Book One, and these books suit it — they’re short, they’re voice-driven, and they were written to be read aloud. There are ninety-second recorded openings on every book page in the meantime, and you can be told the moment the full recordings land.
Spanish and Portuguese are first in line, then others depending on demand. If you’d read them in another language, say so — it genuinely affects the order.
Because that’s the right length for what each one is doing: one life, one turn, no padding. Three or four hours each. It also means the whole series is roughly one ordinary novel’s length, and a reader who bounces off long books can still get all six.
Yes — the omnibus, and the bundles.
Almost all of it to the author, rather than most of it to a retailer. Direct is also the only place signed copies and the special edition exist. Retailer links are on every book page too, and buying there is completely fine — reviews on Amazon and Goodreads help the books find people, which is worth as much.
Write to us and it’ll be gone the same day, no explanation needed.
Yes. The first chapter of every book is readable on this site with no email and no account. The free prequel is the only thing that asks for an address, and that’s because it has to be delivered to your reader.